I rewatched
Casablanca the other night. I had watched it once before when I was much younger, and had come away feeling not very impressed. This caused immense pressure on my soul as an already-confused teenager. "Why," I thought, "does everyone rave about this film in the manner they do when it really isn't all of that?"
Such were the traumatic questions I subjected myself to in addition to more obvious troubles of raging hormones and finding of feet at that pivotal time known as teenagery.
So, in order to wipe the slate clean, to form a new, better-informed opinion about this hyped-up classic, I thought I should watch the movie once more, bringing all my so-called critique and knowledge of cinema to the table. I fancy myself able to spot a good movie when I see one and I know this is a hundred percent accurate because it is true for everyone. If
you like a movie, it's a good movie to
you. Hence proved. (But, seriously...)
So I watched
Casablanca. I watched it in an atmosphere most conducive to movie-watching: Alone, with the lights switched off and no disturbances, all my attention on the acting, the music, the dialogue, the look of the film.
I watched Humphrey Bogart do his cynical Rick Blaine, Ingrid Bergman as the lovely Ilsa, the interiors of Rick's Café Américain, the whole anti-Nazi, pro-Allies thingamajig etc and all those things that I knew to watch out for and which were always repeated time and again in various reviews or nostalgic walks down the memory lanes of Hollywood.
In the end, as it was all those years ago, I came away unimpressed again. I mean, look, I've been hearing this is one of the greatest romances of all time. One of the best movies ever made. I beg to differ. It's an okay film. And that too on the strength of the fast pace of the story, a good supporting cast (esp Claude Rains as Captain Louis Renault), and some very snappy dialogue. (Again, mostly from the quarters of Captain Renault.) Also,
film noir always looks slick.
First things first. I did not like Humphrey Bogart. Forget that he's ugly and speaks funny... No, wait, let's not forget that. That may be it! I think Bogey is the biggest reason I didn't like the film all that much both times. I know I didn't much take a shine to his character from beginning till the end, even when the script tried to embellish his nature with references of his gun-running to Ethiopia, his assisting the Spanish Loyalists, when he helps the couple in his casino and his final sacrificial move at the climax of the film. Bah humbug. (Which is almost a word play for Humphrey Bogart.)
I can tell you right now that I kept thinking to myself, "Ilsa, surely you can do better than this?" I mean Ingrid Bergman deserved a hotter guy. Which Paul Henreid/Victor Laszlo was. So really, no heart-wrenching tragedy when Rick says toodle-oo to Ilsa. (Matter of fact she didn't seem too hurt about it either.) The thing is, in a movie touted to be a great romance, you'd ideally want the lovers to be together. Whereas in this case, I was gunning for the lady to run off with anyone else or at least stick to her dishy husband without so much as a glance in Ugly Bogey's direction. 'Twas never meant to be. I didn't see any crackling chemistry between the two actors even in their flashback montage. And that song,
As Time Goes By, didn't do it for me either. Fuggedaboutit. I will write off
Casablanca as an average film with my favourite bits being the ones where Claude Rains as the oppurtunistic, slimy, yet likeable Captain Renault makes his appearances.
I can understand why
Casablanca was such a big deal in its time. The film was released in 1942, when the War was at its peak. People would have probably jumped out of their seats, cheering and clapping in the scene where the
La Marseillaise drowns out the German patriotic number
Die Wacht am Rhein. I mean, in its time the film's anti-Nazi motif would have certainly moved a majority of the film-viewing public. But there are countless movies which convey even that sentiment better. To conclude, I watched the movie waiting for the magic of romance to take over and that never happened even once during the film. What
did happen was that I was glad the leading lady took off with Blondie instead of Bogie. (I was even hoping Ilsa'd throw a few snide comments Rick's way, about how stupid she was and what was she
thinking etc.)
Oh, well.
Over-rated movie of all-time:
Casablanca.
5. Jim Caviezel and Eric Roberts:
I know. Scary, isn't it?
This is on par scary with Helen and Leelee, as well as Debra-Pooja.
and having one numbers desi legit girl child (Preity), and one numbers illegit firang girl child (Rachel).
It's not just the Aussie thing. Anyway, they could be sisters or something.
I rewatched Casablanca the other night. I had watched it once before when I was much younger, and had come away feeling not very impressed. This caused immense pressure on my soul as an already-confused teenager. "Why," I thought, "does everyone rave about this film in the manner they do when it really isn't all of that?"
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